My new book, ROWANKIND, is out today.
It’s my sixth published book, and the third in my Rowankind trilogy, so it represents a milestone. It not only completes my second trilogy, but it means that my published words have topped the million mark. I’ve written about 400,000 words of historical fantasy, plus over 500,000 words of space opera in my Psi-Tech trilogy, and those are just the words that made it to the final cut. With my published short stories, that means I’ve got over a million published words. Wow!
I’m still slightly surprised, even though I’ve worn the letters on (or should that be off) my keyboard while producing the aforementioned works – and probably worn the fingerprints off my fingers. I so wish I’d learned to touch type when I was younger and better able to acquire the skill (and more time to do it). However I confess I am still a three-finger hunt-and-peck typist. It’s not as bad as it sounds because it gives my brain time to formulate the next sentence while my fingers are adding typos into the last one.
Ah, yes, typos. One of my skills is rattling out typos. And I never spot them on a read-through, because my brain sees what I intended to write, not what I actually wrote.
But even though my typing is problematic, I love the process of writing, both producing the first draft and the editing process
Though the Rowankind trilogy is finished I still can’t look on it objectively. I’m far too close. I’ve enjoyed spending time with the characters, Ross the summoner and witch, and Corwen the wolf shapechanger. The supporting characters have been interesting, too. I particular I’ve enjoyed writing James Mayo, the pirate known as Gentleman Jim, and Hookey Garrity, now captain of Ross’ ship Heart of Oak. Jim has his own blog post here.
You can buy ROWANKIND from Amazon.co.uk and Amazon.com, but it’s only available on Kindle in North American Territories due to contractual issues. It’s also available from Barnes and Noble in the USA (including on Nook). The earlier books in the trilogy are also available similarly, that’s Winterwood, and Silverwolf.
Here’s the cover copy
What do you do with a feral wolf shapechanger who won’t face up to his responsibilities? How do you contain magical creatures accidentally loosed into Britain’s countryside? How do you convince a crew of barely-reformed pirates to go straight when there’s smuggling to be done? How do you find a lost notebook full of deadly spells while keeping out of the clutches of its former owner? How do you mediate between a mad king and the seven lords of the Fae?
Ross and Corwen, she a witch and he a shapechanger, have several problems to solve but they all add up to the same thing. How do you make Britain safe for magic users?
It’s 1802. A tenuous peace with France is making everyone jumpy. The Fae, and therefore Ross and Corwen at their behest, have unfinished business with Mad King George, who may not be as mad as everyone thinks–or if he is, he’s mad in a magical way. The Fae have left mankind alone up to now because they don’t care to get involved with mortals, but don’t be fooled into thinking they’re harmless.
“It’s like an irresistible smorgasbord of all my favourite themes and fantasy elements all in one place, and a strong, compelling female protagonist was the cherry on the top.” – Bibliosanctum
“Swashbuckling action, folklore and characters to care about: this is an authentic English take on historical fantasy, magic and class.” – Karri Sperring, author of The Grass King’s Concubine.